The Organ in St Peter’s

First built in 1865 by the Leeds organ-building firm Ernest Holt, the original organ was revised by Scovell of Edinburgh in 1913, with Rushworth & Dreaper undertaking further restoration work between 1958-60. There are few extant records of the first instrument, and although the original specification exists, it is uncertain as to how much of it still remains.

Like all machinery, organs need periodic overhauls, and by 2002, the organ was in a bad state of repair. After much discussion, deliberation, consultation and debate, it was eventually agreed the church would embark on a major rebuild of the organ, and we were delighted to accept the services of Principal Pipe Organs, York, under the direction of Geoffrey Coffin.

The previous organ was completely removed in March 2009, with the newly refurbished one completed in January 2011. During the enormous and complex rebuild, a new wind system was fitted, all the soundboards and actions were fully restored and the internal pipe layout was completely changed to help improve the tonal projection. The best of the existing pipe-work was cleaned, mended and re-voiced, and seventeen ranks of pipes were replaced. The team at Penny’s Mill, Wiltshire, made the two new European Oak cases.

Although not entirely finished, in December 2010, the congregation at the Carol Service was the first to hear this exciting and versatile new sounding instrument. With choral music being so important, it was considered appropriate to celebrate its completion with an opening concert consisting of Choral Music through the Church Year, and the choir of St Peter’s gave this on 25th February 2011. Conducted by Director of Music, Rupert Forbes, the Organist, Sheila Chisholm displayed many of the colours now available on the new instrument. It was re-dedicated on May 15th 2011 by Bishop Brian Smith, the then Bishop of Edinburgh.

Principal Pipe Organs, York: 2011
Compass of manuals: CC-C (61 notes) Generals on Swell Toe Pistons
Compass of Pedals: CCC-F (30 notes) Both a sequencer and a separate stepper
Piston capture system: 16 departmental and 96 general memory levels
New Top-Touch action Couplers: Great & Pedal Combinations Couple

*denotes new pipework

Clarion 4’
Cornopean 8’
Contra Fagotto 16’
Oboe 8’
*Mixture (19.22.26) III
Fifteenth 2’
Principal 4’
Stopped Flute 4’
Open Diapason 8’
Claribel Flute 8’
Salicional 8’
Voix Celeste (C 13) 8’
Contra Viola 16’
Super Octave
Sub Octave
Unison Off

*Octave Bombarde 4’
*Bombarde 8’
Clarion (Great) 4’
Trumpet (Great) 8’
Clarinet 8’
Mixture (19.22) II
*Tierce 13/5
*Nazard 22/3
*Gemshorn 2’
*Prestant 4’
*Block Flute 4’
*Gedeckt 8’
*Viola 8’
Swell to Choir


*Clarion 4’

*Mixture (22.26.29) III
Sesquialtera (12.17) II
Super Octave 2’
Twelfth 22/3
Octave 4’

*Trumpet 8’

*Flute 4’
Open Diapason 8’
Stopped Diapason 8’
Gemshorn 8’
Double Diapason 16’
Swell to Great
Choir to Great

Schawm 4’
Posaune 8’
Trombone 16’
*Sackbut 32’
*Mixture ( IV
Flute 4’
Fifteenth 8’
Principal 8’
Bourdon 16’
Violone 16’
Dulciana 16’
Open Diapason 16’
Acoustic Bass 32’
Great to Pedal
Swell to Pedal
Choir to Pedal

June 25, 2019